{"title":"Prints in my studio","description":"\u003cp\u003eWorks currently in my studio.\u003c\/p\u003e","products":[{"product_id":"framed-handbags-print","title":"Simone, Lush Bog, from 'Handbags', 2010","description":"\u003cp\u003eMore often than not photographs are tropes and the vagina\/purse version is no exception. I believe this series derives its power from the profession of the bag owners, sex-workers, and the nuance in the hands and forearms which prise open the containers.\u003c\/p\u003e\n\u003cp\u003eSigned on Verso, 1\/3 AP\u003c\/p\u003e\n\u003cp\u003e39 cm in diameter, archival inkjet on Dibond\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 8(3m. 5L) and 3 AP\u003cbr\u003e\u003c\/p\u003e","brand":"David Southwood","offers":[{"title":"Default Title","offer_id":36866645983392,"sku":"Handbags_yellow","price":550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0481\/1820\/2528\/products\/sou_framed_handbags_202009070019.jpg?v=1603531433"},{"product_id":"framed-lesotho-print","title":"Liteboho Lelia, Lesotho, 2015, framed + museum glass.","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eExcerpt from : \u003ca href=\"https:\/\/lenscratch.com\/2018\/08\/south-africa-week-4\/\"\u003ehttps:\/\/lenscratch.com\/2018\/08\/south-africa-week-4\/\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003e'In addition to the panoramas the \u003c\/span\u003e\u003cem\u003eKatse Dam\u003c\/em\u003e\u003cspan\u003e series includes two portrait series of local herders. One of these subseries — the “Balaclava” collection — show close-up views of residents wearing a traditional headgear with only their eyes visible to the camera. This series closely resonates with the explorations of power, access, and visibility explored in the panorama images. Southwood describes himself as an artist who “considers questions of power and privilege in relation to portraiture” and finds an important encounter in these images, wherein subjects choose to obscure their faces for his photograph. The portraits further echo the latent tension Southwood perceives in the dam. The strobe lighting sets the subjects apart from dim surroundings and creates a theatrical disconnect symbolic of the literal restriction to the dam. In some of the portraits the dam is visible, once again making reference to the reservoir as a “blank and distant water mass” and as a “perpetual backdrop.”\u003c\/span\u003eI undertook three trips to Lesotho before feeling comfortable photographing these young herders.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt the end of every work day on the reservoir, I printed the portrait for each subject and handed it over.\u003c\/p\u003e\n\u003cp\u003eWhen I go back to these villages now, the photos are clearly prized because they are thumbed and worn.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eUnframed Archival inkjet on Hahnemuhle 300 gsm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eL \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e105 x 84 cm edition 4\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM 75 x 60 cm edition of 3\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eS 52 x 42 cm edition 3\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLiteboho Lelia, Lesotho, 2015\u003c\/p\u003e\n\u003cp\u003eThis print, signed on Verso 1\/1 AP\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFramed with museum glass.: 45 x 35cm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArchival inkjet print on 250 GSM Baryta Paper\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"David Southwood","offers":[{"title":"Default Title","offer_id":36866661613728,"sku":"Herder_[name]","price":950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0481\/1820\/2528\/products\/sou_framed_lesotho_20200907202009070014.jpg?v=1603531542"},{"product_id":"n1-image-framed","title":"N1 #25, 2008","description":"\u003cp\u003eThe players in this photograph have been described as having 'divided attention': nobody seems to be aware of each other, which lends a curious theatricality to this stage. Photoshopping subjects from different frames would have produced the same uncanny effect.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe N1 Highway slices South Africa North by South, from the Zimbabwean border to Cape Town. Its 2100 km are historically, socially, and politically charged; however, the road proper only appears at the front and end of this photographic series. Between these brackets, the N1 is presented through oblique scenes on and around the road that give a sense of the road's taut atmosphere.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe extended captions of Sean O'Toole, a Cape Town-based journalist and writer, augment this sense.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eThe N1 was exhibited at The University of the South in Tennessee, whatiftheworld in Cape Town and the Goethe Institute in Johannesburg.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSee reviews \u003ca href=\"https:\/\/www.google.co.za\/search?q=memory+card+sea+power\u0026amp;oq=memory+card+sea+power\u0026amp;aqs=chrome..69i57j69i58j69i65j69i59l2j69i60.4607j0j4\u0026amp;sourceid=chrome\u0026amp;ie=UTF-8#q=n1+dave+southwood\" data-mce-href=\"https:\/\/www.google.co.za\/search?q=memory+card+sea+power\u0026amp;oq=memory+card+sea+power\u0026amp;aqs=chrome..69i57j69i58j69i65j69i59l2j69i60.4607j0j4\u0026amp;sourceid=chrome\u0026amp;ie=UTF-8#q=n1+dave+southwood\" target=\"_blank\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiasec-framed archival Lightjet \u003c\/span\u003eprint on 300 gsm paper\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSigned on verso 1\/2 AP, Edition of 8(3S,3M,2L) + 2 A\/P\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eDigital C-print print on Diasec\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePaper size: 70 by 60 cm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"David Southwood","offers":[{"title":"Default Title","offer_id":36866702704800,"sku":"N1_Pitstop","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0481\/1820\/2528\/files\/n1_original_-4-3_1.jpg?v=1688993356"},{"product_id":"from-n1-2004-2011","title":"From N1, 2004-2011, FRAMED","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe N1 Highway slices South Africa North by South, from the Zimbabwean border to Cape Town. Its 2100 km are historically, socially, and politically charged; however, the road proper only appears at the front and end of this photographic series. Between these brackets, the N1 is presented through oblique scenes on and around the road that give a sense of the road's taut atmosphere.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe extended captions of Sean O'Toole, a Cape Town-based journalist and writer, augment this sense.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe National Gallery of South Africa owns and has shown part of this series, and it was exhibited at The University of the South in Tennessee.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSee reviews \u003ca href=\"https:\/\/www.google.co.za\/search?q=memory+card+sea+power\u0026amp;oq=memory+card+sea+power\u0026amp;aqs=chrome..69i57j69i58j69i65j69i59l2j69i60.4607j0j4\u0026amp;sourceid=chrome\u0026amp;ie=UTF-8#q=n1+dave+southwood\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.google.co.za\/search?q=memory+card+sea+power\u0026amp;oq=memory+card+sea+power\u0026amp;aqs=chrome..69i57j69i58j69i65j69i59l2j69i60.4607j0j4\u0026amp;sourceid=chrome\u0026amp;ie=UTF-8#q=n1+dave+southwood\" target=\"_blank\"\u003ehere\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArchival Inkjet 300 gsm \u003cstrong\u003eFRAMED\u003c\/strong\u003e with \u003ca href=\"https:\/\/blog.ormsdirect.co.za\/creating-diasec-orms-print-room-framing\/\"\u003eDiasec.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eL 127 x 100 cms edition 3 +1 a\/p\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Southwood Prints","offers":[{"title":"127 x 100 cms","offer_id":37179631567008,"sku":"","price":1680.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0481\/1820\/2528\/files\/n1_original_1.jpg?v=1688990199"},{"product_id":"hustles-book-2018-optional-print","title":"HUSTLES book, 2018 + optional print","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003cstrong\u003e'HUSTLES' chronicles Local Studio’s first 12 built projects and five years of practice in the City of Gold.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eJOHANNESBURG, August 1, 2018  – ­ The book, published by Local Studio and Dave Southwood, documents the first twelve buildings designed and built by the Johannesburg-based architecture firm, founded by Thomas Chapman in 2012. Co-authored by Chapman and photographer David Southwood, with Illustrations by Michael Tymbios, Hustles takes the reader not only into the buildings themselves, but also gives a detailed account of the often chaotic context of Johannesburg in which the buildings exist.\u003c\/p\u003e\n\u003cp\u003eFrom Southwood’s essay:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn \u003cem\u003eA Manual of the Art of Fiction\u003c\/em\u003e, Clayton Hamilton says\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe greatest structural problem of the writer of short stories is to strike the proper balance between the effort for economy of means – which tends to conciseness – and the effort for the utmost emphasis – which tends to amplitude of treatment.\u003c\/p\u003e\n\u003cp\u003eLightness is a key quality of Local Studio’s projects. By lightness I mean a bright, airiness and also a sense of play. The proliferation of modes available to architects means that lightness when engaged \u003cem\u003ereduction ad absurdum\u003c\/em\u003e is often too great a ploy for practitioners to resist and buildings can disappear at the wrong moments entirely. Negotiating the symbolic and actual weight of the type of complex project which Local Studio design and realize requires design skill and a sense of appropriateness.\u003c\/p\u003e\n\u003cp\u003eWithout doubt the most offensive buildings I have seen in this country are spiky community centers made by architects who ‘sense of play’ or lightness is a misplaced, patronizing frivolity.  \u003c\/p\u003e\n\u003cp\u003eIts refreshing and necessary to see this sense of lightness and play be communicated via materials, form, and light- a language for all, which is relatively ahistorical and apolitical. The built South African landscape needs a retort to the last generation of macho, opaque modernist edifices. Broken clocks which are hard to adapt and force certain views.\u003c\/p\u003e\n\u003cp\u003eLocal Studio’s work is like short stories. By this I mean a particular power to weight ratio and again a certain economy of means. The decision to work in the cultural, civic field implies limited resources and maybe it’s been due, in part to tight parameters and limited means, that such innovative, sustainable solutions to problems have emerged and Local Studio’s buildings have been able to individuate themselves so early on, and with such ease and functionality. \u003c\/p\u003e\n\u003cp\u003eWhile building with unlimited resources can chamfer a process and make for impressive structures I feel that being able to absorb the vagaries of working in Jhb and make the most out of them embeds a in a project a sort of indigenous knowledge, being as a function of context in the broadest sense. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrint\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCorner Jorissen and Melle 19\/03.2018\u003c\/p\u003e\n\u003cp\u003eUnframed, Signed and Editioned print on Baryta paper 29 x 21 cms\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition 1\/15 \u003c\/p\u003e","brand":"David Southwood","offers":[{"title":"1 book","offer_id":39745629651104,"sku":"","price":40.0,"currency_code":"USD","in_stock":true},{"title":"2 books","offer_id":39745629683872,"sku":"","price":70.0,"currency_code":"USD","in_stock":true},{"title":"3 books","offer_id":39745629716640,"sku":"","price":100.0,"currency_code":"USD","in_stock":true},{"title":"book and print","offer_id":39745629749408,"sku":"","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0481\/1820\/2528\/products\/hustles-cover-front-IMG_8791.jpg?v=1618487319"},{"product_id":"civic-centre-2003","title":"Dumile Mbebe Studio, Site C, Cape Town, South Africa, 1999","description":"\u003cp\u003eThese are studios which I photographed in the townships of Cape Town around 1999.\u003c\/p\u003e\n\u003cp\u003eThe red chair belonged to Dumile Mbebe.\u003c\/p\u003e\n\u003cp\u003eDumile photographed everything that could fit into his shack: bridal couples, injuries for insurance, make-ups, break-ups, travelers and locals etc. \u003c\/p\u003e\n\u003cp\u003eWe lost touch, but I was determined to help Dumile produce a book on all his work. \u003c\/p\u003e\n\u003cp\u003eOn a cold day I happened to meet him at the local laboratory, we embraced and I outlined the plan. He paused, took a step away from me, and said, 'I burned all my negatives on the weekend. I ran out of space.'\u003c\/p\u003e\n\u003cp\u003eUnframed Archival inkjet on Bartya Paper\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eL \u003c\/span\u003e150 x 115 cms edition 5+1 a\/p\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM 100 x 80 cms edition of 3+1 a\/p\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eS 52 x 42 cms edition 3+1 a\/p\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Southwood Prints","offers":[{"title":"150 x 115 cms","offer_id":40312539742368,"sku":"","price":1300.0,"currency_code":"USD","in_stock":true},{"title":"100 x 80 cms","offer_id":40312539775136,"sku":"","price":900.0,"currency_code":"USD","in_stock":true},{"title":"52 x 42 cms","offer_id":40312539807904,"sku":null,"price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0481\/1820\/2528\/files\/acc_1_edgar_1.jpg?v=1689085943"},{"product_id":"copy-of-skaapkraal-r701-between-smithfield-and-wepenaar-july-2013","title":"Cortina Coupe', Voortrekker Road, 2010","description":"\u003cp\u003eThis guy parks his car on a rough drag dominated by scrap metal dealers on the way to my studio, so I see him almost daily. It's fascinating to me how he maintains the paintwork in an environment that is so utterly disinterested in finish and varnish.\u003c\/p\u003e\n\u003cp\u003eMuch has been written about cars being private spaces that offer spiritual distance from harrowing surroundings; this applies to the man's 'traveling republic.'\u003c\/p\u003e\n\u003cp\u003eUnframed Archival Inkjet on Baryta\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLarge 130 x 50 cm Edition of 3 and 1 A\/P\u003c\/p\u003e\n\u003cp\u003eMedium 110 x 42 cm \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 5 and 1 A\/P\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSmall 78 x 30 cm Edition of 3 and 1 A\/P\u003c\/span\u003e\u003c\/p\u003e","brand":"Southwood Prints","offers":[{"title":"130 x 50 cm","offer_id":42842743406752,"sku":null,"price":1400.0,"currency_code":"USD","in_stock":true},{"title":"105 x 40 cm","offer_id":42842743439520,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true},{"title":"73 x 30 cm","offer_id":42842743472288,"sku":null,"price":850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0481\/1820\/2528\/files\/sou_pano__100_201110034_ca537ad2-2fbd-4963-a4b1-be20e531dbce_1.jpg?v=1700729577"},{"product_id":"framed-truck-stop-springfontein-2008","title":"Engen, Williamsfontein, Karoo, 2010-Framed","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003eBefore this Engen gas station, near Springfontein smack in the middle of the Karoo, received its contemporary facelift, I used to stop and marvel at the combo of cantilever and flat-ass nothingness. The structure frames the semi-desert in an assuming way, but nothing happens.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eIt used to cater to large trucks mainly. It accommodated their articulated masses and gentle turning arcs with plain-size swathes of gravel delineated with the classic white ZA…painted rock. If there is no koppie or mesa to adorn with your town’s name, make a huge circle for turning.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eIt also catered to folks keen to avoid the large gas stations with their trickle of cops and surveillance eyeballs. Close your eyes and hear the double D clutch. The patchy forecourt appeals to me, as does the way the supporting structures’ tops disappear before connecting with the roof plane.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eArchival Inkjet on 200 GSM Baryta paper framed in Kiaat.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOther editions size. Please contact me for prices.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e120 x  80 cms edition 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e80 x 55 cms \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eedition of 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e60 x 40 \u003cmeta charset=\"utf-8\"\u003ecms \u003cmeta charset=\"utf-8\"\u003eedition of 3\u003c\/span\u003e\u003c\/p\u003e","brand":"Southwood Prints","offers":[{"title":"80 x 55 cms","offer_id":42961955782816,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0481\/1820\/2528\/products\/sales_-019_92bd5928-ad31-4658-9183-3bc557cc7ad1.jpg?v=1673608271"},{"product_id":"copy-of-from-n1-2004-2012","title":"From N1, 2004-2011, FRAMED","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis battered and cracked basin looks like a complete road map of a country, and therefore, it encapsulates the N1(a highway) project with Kimberley at its centre. \u003c\/p\u003e\n\u003cp\u003eThe basin is in a run-down gas station at Touws River, 182 km from Cape Town. \u003c\/p\u003e\n\u003cp\u003eThe N1 Highway slices South Africa North by South, from the Zimbabwean border to Cape Town. Its 2100 km are historically, socially, and politically charged; however, the road proper only appears at the front and end of this photographic series. Between these brackets, the N1 is presented through oblique scenes on and around the road that give a sense of the road's taut atmosphere.\u003c\/p\u003e\n\u003cp\u003eThe extended captions of Sean O'Toole, a Cape Town-based journalist and writer, augment this sense.\u003c\/p\u003e\n\u003cp\u003eThe National Gallery of South Africa owns this work, and the N1 was exhibited at The University of the South in Tennessee, whatiftheworld in Cape Town and the Goethe Institute in Johannesburg.\u003c\/p\u003e\n\u003cp class=\"\"\u003eSee reviews \u003ca href=\"https:\/\/www.google.co.za\/search?q=memory+card+sea+power\u0026amp;oq=memory+card+sea+power\u0026amp;aqs=chrome..69i57j69i58j69i65j69i59l2j69i60.4607j0j4\u0026amp;sourceid=chrome\u0026amp;ie=UTF-8#q=n1+dave+southwood\" target=\"_blank\"\u003ehere\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003ca href=\"https:\/\/blog.ormsdirect.co.za\/creating-diasec-orms-print-room-framing\/\"\u003eDiasec-framed\u003c\/a\u003e archival Lightjet \u003c\/span\u003eprint on 300 gsm paper\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eL 127 x 100 cms edition 3 +1 a\/p\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Southwood Prints","offers":[{"title":"127 x 100 cms","offer_id":45574140264608,"sku":null,"price":1680.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0481\/1820\/2528\/files\/n1_original_-5-2.jpg?v=1688992034"},{"product_id":"from-n1-2004-2013","title":"From N1, 2004-2011 Framed with DIASEC","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThis battered and cracked basin looks to me like the complete road map of a country, and therefore it encapsulates the N1 project. The basin is set in a run-down gas station at Touws River, which is 182 km from Cape Town. The dump of a town is emblematic of previously functional towns, which now get overshot because cars can travel great distances on a tank.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe N1 Highway slices South Africa North by South, from the Zimbabwean border to Cape Town. Its 2100 km are historically, socially, and politically charged; however, the road proper only appears at the front and end of this photographic series. Between these brackets, the N1 is presented through oblique scenes on and around the road that give a sense of the road's taut atmosphere.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe extended captions of Sean O'Toole, a Cape Town-based journalist and writer, augment this sense.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe National Gallery of South Africa owns this work, and the N1 was exhibited at The University of the South in Tennessee, whatiftheworld in Cape Town and the Goethe Institute in Johannesburg.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eSee reviews \u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.google.co.za\/search?q=memory+card+sea+power\u0026amp;oq=memory+card+sea+power\u0026amp;aqs=chrome..69i57j69i58j69i65j69i59l2j69i60.4607j0j4\u0026amp;sourceid=chrome\u0026amp;ie=UTF-8#q=n1+dave+southwood\" target=\"_blank\" data-mce-href=\"https:\/\/www.google.co.za\/search?q=memory+card+sea+power\u0026amp;oq=memory+card+sea+power\u0026amp;aqs=chrome..69i57j69i58j69i65j69i59l2j69i60.4607j0j4\u0026amp;sourceid=chrome\u0026amp;ie=UTF-8#q=n1+dave+southwood\"\u003ehere\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/blog.ormsdirect.co.za\/creating-diasec-orms-print-room-framing\/\"\u003eDiasec-framed\u003c\/a\u003e archival Lightjet \u003c\/span\u003eprint on 300 gsm paper\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e50 x 42 cms edition 3 +1 a\/p\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Southwood Prints","offers":[{"title":"127 x 100 cms","offer_id":45743061893280,"sku":null,"price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0481\/1820\/2528\/files\/n1_original_-9_2.jpg?v=1700816975"},{"product_id":"hoover-1-from-milnerton-market-1999-2009","title":"Hoover #1, from Milnerton Market, 1999-2009, floated and framed in with black aluminum","description":"\u003cp data-mce-fragment=\"1\"\u003eI have roughly 40 square portraits of Milnerton Market Hoovers in my archive. \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eWhenever I see these discarded sucking machines, I imagine the moth-eaten Persians whose dust particles they no longer attempt to coax from the warp and weft. I also imagine instructions being barked around the lounges.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003e`Gou nou!' which means '`Hurry up!'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003e'Nou nou!' which means '`Very soon!'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eI guess one might find these two examples operating in tandem.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eApparently an Afrikaans TV hostess described the point at which the guest was due to arrive at, as '`Nou nou, nou'.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eBack in the day, when I was trying to coax writers to contribute to the \u003ca href=\"https:\/\/southwoodprints.com\/products\/copy-of-hustles-book-2018-optional-print?variant=47632245424288\" title=\"MM Book and print\"\u003ebook\u003c\/a\u003e, I approached an academic from what was then the Rand Afrikaans University and asked if he'd supply some text on 'Reduplication in the Afrikaans Language' which is the term describing saying shit twice. More often that not it's used to describe the speaker's heightened emotional state.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eHe seemed curious, but precisely what the connection between the Hoover photos and the reduplication was seemed lost on him.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eI remember saying that the connection was not dissimilar to The Grahamstown Flower Arranging Club using Cliff Richard as a soundtrack to their public flower-arranging events(as opposed to the AGM or a rabid meeting held \u003c\/span\u003e\u003cem\u003e\u003cspan data-preserver-spaces=\"true\"\u003eex temporere\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\"\u003e to shift the balance of power within the board).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e 2009-For the last decade, David Southwood has been observing, participating in, and photographing the Milnerton flea market. In that time, he has seen subtle changes in one of the many ‘grey zones’ of Cape Town, where a growing number of peripheral characters—mainly poor whites and recent migrants into South Africa—seek to earn a living through trade in second-hand goods. Milnerton Market has emerged from Southwood’s intense engagement as a powerful record of a single community on the fringes of a society in flux.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn one hand,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMilnerton Market\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esimply bears witness to the hodgepodge life of things. But on the other, it explores the implications of the redistribution of resources by a new democratic government in the early 1990s, a process that did very little to alleviate the destitution of many. The geographic and symbolic ‘in-betweenness’ of the site of the market—it is not sea, not city, not industrial, not prime property—and of the vendors themselves, perched on rickety deck chairs, suggests an uncomfortable unity of political rhetoric and acceptable public memory.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrame size: 48 x 48 cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePrint size: 42 x 42 cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePlease contact me for other size options and prices.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis edition 1\/4\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArchival Inkjet on 300 GSM Hahnemuhle \u003c\/p\u003e","brand":"Southwood Prints","offers":[{"title":"48 x 48 cm","offer_id":47710261706912,"sku":null,"price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0481\/1820\/2528\/files\/Untitled-1_1.jpg?v=1701242077"},{"product_id":"copy-of-mpho-masupe-katse-dam-lesotho-2016","title":"DIASEC framed in Kiaat. Mpho Masupe, Katse Dam, Lesotho, 2015","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eWhile photographing a group of herders, I looked down to check a setting on my camera, and this kid appeared before me in a hat fashioned from a Bearded Vulture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA photograph David Goldblatt made always seemed to be posed, although he preferred not to alter what was in front of his camera. When I asked him if he'd moved the central subject and directed his pose, he replied, 'Of Course! You are the master.' Coming from Mr. Objektiv, this imperative surprised me.\u003c\/p\u003e\n\u003cp\u003eI asked Mpho to assume the pose that you see here. The cloak was not my doing; his friends behind me had made him up while I was looking into the valley.\u003c\/p\u003e\n\u003cp\u003eI undertook three trips to Lesotho before feeling comfortable photographing these young herders. At the end of every day, I printed photographs for each Masotho in the local hotel and then returned to my car, where I slept. When I return to these villages, the photos are prized because they are bent and worn.\u003c\/p\u003e\n\u003cp\u003eThis photo forms part of a long-form project designed to demystify the story around the massive water reticulation system that\u003cspan\u003e \u003c\/span\u003elinks the Lesotho Highlands to Gauteng and Johannesburg.\u003c\/p\u003e\n\u003cp\u003eWhen the infrastructure's genesis and current functionality are scrutinised cracks appear. It becomes apparent that the project's genesis and the way in which it works now had and have little or no regard for the impoverished herders who live on the reservoirs. In addition, water shortages and resource scarcity will exert more pressure on the Basotho and it is imperative that unfair links between the consumers and the Highlands be spelled out.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eFramed with DIASEC and Kiaat frame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eArchival inkjet on Bartya Paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eL \u003c\/span\u003e105 x 84 cms edition 5+1 a\/p\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Southwood Prints","offers":[{"title":"105 x 84 cms FRAMED under Diasec with Kiaat Frame","offer_id":49277983424672,"sku":null,"price":3900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0481\/1820\/2528\/files\/lesotho_-20150905-003206_d1bff1c1-99e6-4ae5-bf11-f1a9022bb7b9.jpg?v=1711912302"},{"product_id":"david-goldblatt-saturday-morning-at-the-corner-of-commissioner-and-trichardt-streets-boksburg-copy","title":"DG, 2012, Framed, including copy of The Last Interview.","description":"\u003cdiv class=\"sco-item-label--Extra sco-item-label--Signed\"\u003e\n\u003cdiv class=\"sco-item-label\"\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--Signed\"\u003e'DG, 2012'\u003c\/div\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--Signed\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--Signed\"\u003eCertificate of authentication. 2012, numbered 3\/5.\u003c\/div\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--Signed\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--Medium\"\u003eArchival inkjet on Baryta paper in slim Black, brushed aluminum frame.\u003c\/div\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--ItemSize\"\u003eFrame 90 x 110 cm\u003c\/div\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--ItemSize\"\u003ePrint 80 x 102 cm\u003c\/div\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--ItemSize\"\u003eImage 78 x 99 cm\u003c\/div\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--ItemSize\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--ItemSize\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003ePublished:\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--ItemSize\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--ItemSize\"\u003e\n\u003cdiv\u003ePublisher:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/ivorypress.com\/es\/publisher\/steidl\/\"\u003eSteidl\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eBinding: Hardcover\u003c\/div\u003e\n\u003cdiv\u003eLanguage: Spanish\u003c\/div\u003e\n\u003cdiv\u003ePages: 80\u003c\/div\u003e\n\u003cdiv\u003eMeasurements: 13.30 x 20.90 cm\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--ItemSize\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--ItemSize\"\u003e\u003cspan\u003eAccompanied by a selection of some of David Goldblatt’s (1930-2018) lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with the photographer conducted three months before his death in June 2018. Goldblatt was born in Randfontein–a mining town on the Witwatersrand gold reef–in 1930, the grandson of Lithuanian-Jewish migrants who settled in South Africa after escaping persecution in Europe. After the death of his father in 1962, Goldblatt sold the family clothing business to become a full-time photographer. In this candid conversation with writer Alexandra Dodd, Goldblatt shares his views about land and landscape, the dangerous lure of repetition in portrait photography, Johannesburg, the solipsism of life as a photographer, staying sharp, his visceral intolerance of censorship, his abiding interest in structures and his observation of instances of dominion under democracy, among other key themes.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--ItemSize\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sco-item-label--Extra sco-item-label--ItemSize\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sco-item-contents clearfix mt-3\"\u003eExhibited:\u003c\/div\u003e\n\u003cdiv class=\"sco-item-contents clearfix mt-3\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sco-item-contents clearfix mt-3\"\u003eA4 Arts Foundation, Cape Town,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePicture Theory: An Interaction with the Work of David Goldblatt\u003c\/em\u003e, October 2018 to January 2019. Illustrated on the inside front cover of the exhibition catalogue.\u003c\/div\u003e\n\u003cdiv class=\"sco-item-contents clearfix mt-3\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sco-item-contents clearfix mt-3\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Southwood Prints","offers":[{"title":"Frame 90 x 110 cm Print 80 x 102 cm Image 78 x 99 cm","offer_id":51903387599008,"sku":null,"price":4000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0481\/1820\/2528\/files\/dg_8_10.jpg?v=1730801990"},{"product_id":"ntafufu-river-mouth-2013","title":"FRAMED Ntafufu River Mouth, 2014","description":"\u003cp\u003eI’ve spent a lot of time in the vicinity of the Ntafufu river mouth, whose saturated, sub-tropical atmosphere is underpinned by the species of latent menace alluded to by 20th Century bundu-bashers and which, by dogging the subconscious into a state of hyper-awareness, can sharpen one’s sense of beauty.\u003c\/p\u003e\n\u003cp\u003eHome-made shotguns, mange, LSD, alcoholic Tr.Tr. on disability. Irridescent kingfishers hovering more accurately than stones, bulletlike glinting fish flanks, black and red crabs arranged in elastic consortiums like wind-up Persian carpets rattling gently as they reconfigure themselves periodically per unseen stimuli.\u003c\/p\u003e\n\u003cp\u003eGo there!\u003c\/p\u003e\n\u003cp\u003e1\/3 AP 2014.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePaper size 80 x 60 cm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eImage Size 60 x 40 cm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eArchival inkjet print on 200 GSM Baryta Paper, Thin brushed black aluminum frame \u003c\/span\u003e\u003c\/p\u003e","brand":"Southwood Prints","offers":[{"title":"70 x 50 cms","offer_id":52237221986464,"sku":"","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0481\/1820\/2528\/files\/this_aluminum.jpg?v=1738576707"},{"product_id":"dogsanalog","title":"Dogsanalog","description":"\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eAt about 16h30 every day my dog, Moose’s brain shifts from whatever came before the idea of a walk, to the idea of a walk. She ghosts up beside me, her ears in streamline position, tail wagging, as the big countdown nears minute zero.\u003c\/p\u003e\n\u003cp\u003eThese portraits, begun in 2026, have been made in Cape Town, South Africa, on a Hasselblad 500 CM produced in the 80s. The negs are processed and then scanned on my high-end Imacon scanner. \u003c\/p\u003e\n\u003cp\u003eThe portraits featured here rotate. If you'd like to order through this website order any image and state your name at checkout.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePrints\u003c\/strong\u003e are made with archival ink on Hahnemuhle paper, signed, dated and numbered. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrames\u003c\/strong\u003e are made of Kiaat wood.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePostage\u003c\/strong\u003e within South Africa is included for prints, not framed work. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTurnaround time\u003c\/strong\u003e is typically 5 working days for a print and 10 working days for a framed print.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/www.instagram.com\/dogsanalog\/\" title=\"Handcrafted dog and owner portraits shot on Hasselblad film and scanned on a professional Imacon scanner. Unique analogue photography by a Cape Town artist. Order your portrait today.\" rel=\"noopener\" target=\"_blank\"\u003e@dogsanalog\u003c\/a\u003e on IG.\u003c\/p\u003e\n\u003cp\u003eIf you would rather I sent you an invoice(ZAR) please email \u003cstrong\u003ehello@davesouthwood.com\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThank you!\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Southwood Prints","offers":[{"title":"30 x 30 cm","offer_id":56947475841184,"sku":null,"price":80.0,"currency_code":"USD","in_stock":true},{"title":"30 x 30 Framed","offer_id":56947482034336,"sku":null,"price":270.0,"currency_code":"USD","in_stock":true},{"title":"60 x 60 cm","offer_id":56947498090656,"sku":null,"price":180.0,"currency_code":"USD","in_stock":true},{"title":"60 x 60  Framed","offer_id":56947498877088,"sku":null,"price":500.0,"currency_code":"USD","in_stock":true},{"title":"100 x 100 Framed","offer_id":56954555465888,"sku":null,"price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0481\/1820\/2528\/files\/grey_plain_full_3_fa6be4d6-a842-413c-86d3-5bf8a84a1fe4.jpg?v=1775994276"}],"url":"https:\/\/southwoodprints.com\/collections\/prints-in-my-studio\/dogsanalog.oembed","provider":"Southwood Prints","version":"1.0","type":"link"}